(after a painting by Georg Bazelitz)
When the red chair suspended in air
grazes the TOP of your head
and the white pitcher1 that rests on the chair
neither falls nor spills, you will move
to the window, or the empty space
in the wall left by the guns on the hill
just outside the city, and be amazed
at the mill ablaze2 in the distance,
the loud report of dry beams knuckled3
under heat, the carousel4 of shadows spun5
around the orange center of the flames,
because you know this cannot happen here
or because you know the mill's been on fire
for so long that the city's been consumed
entirely6 and the heat from the mill
has blistered7 the red paint on the chair
and dried the water from the pitcher,
and, if you wait one more instant,
afraid that it is too late, it will be too late,
and the chair and pitcher will drift
through your hair as ash.